How it's calculated: Quevedo (DQE) is the automatic recurring base; dominant territory ES + MX (via SADAIC) → stable income, slight quarterly dip (547→413→393). Bhavi is a catch-up, not recurring. SUP Bhavi · PROB Quevedo/DalePlay/YoungFlex.
| Song | Artist | Label | % | Last royalty | Status | Last payment | Cadence | Request next report |
|---|
One table with every song where you hold a royalty %. Click any header to sort (incl. amount, last payment and next report). Last royalty = per-song amount from the last known period (not the statement lump); detail in the Excel. Paid = already in · Collecting = generating and in the pipeline (the latest amount may not be credited yet) · est. = estimated by plays. Only DQE is automatic quarterly; the rest is requested after close.
| Song | Artist | Label | Status | % | Spotify plays | YouTube | Apple | Earned (est.) | To collect (est.) |
|---|
Estimate ≈ (Spotify × US$0,003 + YouTube × US$0,001) × your %.
| Song | Artist | Label | Spotify All | Distinction | Detail (master + publishing) | Your share / period |
|---|---|---|---|---|---|---|
| Fernet | Rei | Dale Play | 137,6M | TOP ROY | Master 3% (Dale Play) · Publishing SADAIC US$1.119/cuatrim | US$233 + US$1.119 |
| Polvito | BM | Dale Play | s/d | TOP ROY | Master 10% (Dale Play) · Publishing SADAIC US$200/cuatrim | US$152 + US$200 |
| La Última | Quevedo | DQE / Warner | 63,4M | TOP ROY | Master 1% (DQE) · Publishing SADAIC US$1.513/cuatrim | US$210 + US$1.513 |
| Mala Suerte | Cazzu | — | 14,1M | TOP PUB | Sin master · Publishing SADAIC US$1.680/cuatrim | US$1.680 |
| Ódiame | Cazzu | — | 7,2M | TOP PUB | Sin master · Publishing SADAIC US$1.521/cuatrim | US$1.521 |
| Ahora | Cazzu | — | 3,7M | TOP PUB | Sin master · Publishing SADAIC US$1.341/cuatrim | US$1.341 |
| Pintao | Duki | — | 173,9M | TOP PUB | Sin master · Publishing SADAIC US$1.182/cuatrim | US$1.182 |
Streams = total Spotify ("Spotify All") via kworb. "Your share / period" = master + publishing for the period.
Came in: US$191,81 (invoice, Jun 19) = 6 quarters accrued (Q4'24 to Q1'26). Breakdown: Inmortales US$183,72 (driver, 96%) · Tu Luna US$7,49 (Q2+Q3'25) · Fly US$0,61.
Came in: US$102 (Jun 15) for Halloween + Como Pablo + Capsulón. Actual amount lower than the old estimate (US$285).
Swap confirmed. Both registered in SADAIC. Vale Todo was swapped for La 10 V2.
Invoice sent Jun 12 (US$440,43 · Fernet+Polvito+Show U). Payment ~Jul 24 (30 business days).
Cantate (Knak): reports requested, sharing shortly. MG (Lara 91k): US$2,01, below minimum. Venihora (Cocolexa): doesn't cover costs. Luana: Dime US$4,84 (below minimum); Moon, Despeinada, Mami No Llores and Aunque Duela don't cover costs.
La Última + Fernet = US$2.632 ≈ 55% of your publishing. Cazzu's songs (Ahora/Ódiame/Mala Suerte) already yield ~US$1.500/4-mo period on top of the fee you charged.
In pesos it grew ~+7% (8,26M ARS Apr-25 → 8,87M ARS Apr-26). But in dollars it fell ≈US$7.686 → ≈US$6.034 (−21%): the cause is the peso devaluation (FX ~1.075 → 1.469 ate the gain). The advance (~US$1.262) only existed in 2026: it's added to Apr-26 only, to show what you actually generated that period (without it, Apr-26 would seem to fall to US$4.773 and be misread). FX Apr-25 approx.
| Song | Artist | Label | Spotify streams | Your Publishing % | Earned (est. track) | Your publishing/yr | Your master |
|---|
Annual publishing projection ≈ US$18.000 gross (3 four-month periods × ~US$6.000, advances included) — not counting direct per-show payments. PROB
Spain = US$2.650 of the international total (first by far), then Mexico and Uruguay. Consider a push/release aimed at Spain.
SADAIC fronted you an advance (~US$1.262) shortly before close and deducted it in the statement. In the data above it's added only to Apr-26: the four-month period generated US$6.034 gross (the statement paid out US$4.773 because you'd already collected the rest). In Apr-25 there was no advance.
You have 79 works in SADAIC. Many (Diamante, Crush, Game Over, Entre Galaxias, La Única…) aren't in any tracker. See the explorer below.
Each row expands (click) and shows the songwriters; you in green. The % column is your real Publishing share per SADAIC where available (most); when there's no registry data yet, it's estimated with an equal split (100 ÷ number of songwriters). Sortable by your share / year / A-Z. Publisher: Sony Music Publishing until Apr-2024 (contract ended).
| Song | Artist | Label | Royalties (dash) | Publishing |
|---|
How to read it: both columns compute automatically. ✓ = the song is already listed there; ✗ = not yet / needs loading. Royalties (dash): whether it appears in this dashboard's royalty data. Publishing: whether it's already registered in your SADAIC catalog. Ideally this whole list ends with ✓ in Publishing. Tap any column header to sort.
Except DQE (automatic), every payment = report → invoice → payment. Dale Play and majors: 30 business days after receiving the invoice (≈6 weeks); the rest, faster.
| Est. date | Source | Detail | Type | Amount |
|---|
PROB estimated amounts · SUP Bhavi catch-up. SADAIC shows: variable amount, paid directly.
The play: SADAIC pays you no matter what in April, August and December (every 4 months). The troughs are the months farthest from those payments: February, June and October. That's where you drop the highest, movable royalties (YoungFlex, Street Code, Dale Play, Bhavi) — you control when you request the report, so request them in time to collect in the trough. Quevedo's DQE is automatic (Jan/May/Aug/Nov), it doesn't move.
| Month | SADAIC | Royalties to collect | Month total | What to steer / note | Status |
|---|
Reserve rule: from each SADAIC payment (~US$4.5-5k) set aside ~35% to cover the coming trough — each lump has to last the ~4 months until the next. Most critical month: February (you're coming off spending December's SADAIC, DQE is low and April is 2 months away). Then June and October.
The logic: the troughs to cover are February, June and October (the months farthest from the SADAIC payments of Apr/Aug/Dec). Since each payment is report → invoice → payment, and with Dale Play / majors payment takes ~30 business days (~6 weeks), you have to request the report ahead of time so the money lands right in the trough. The only thing that doesn't move is Quevedo's DQE (automatic). These steps are loaded as reminders in your Calendar (OSX), with a 3-day-ahead alert.
Ticket #171163. Enable it to start collecting the major's royalties.
Log a new PRO statement (payment letter), a label / distributor report, or a one-time fee. Saved in this browser; export JSON to feed the dashboard data. All fields are free-form — works for any payer, artist or catalog.
| Loaded | Type | Payer | Holder | Period | USD | Status |
|---|
Stored in this browser only. Export JSON to feed the dashboard data pipeline. The scalable path is automated ingestion (PRO / distributor feeds) — this form is the manual intake in the meantime.
The whole dashboard renders from a dataset. Export it to see the shape, import your own to swap it, or start clean. (KPI cards and charts still summarize the demo — computing them from your loaded data is the next step.)